Ms. #TimnitGebru hosted panel on limitations of #LargeLanguageModels - technology that underpins #ChatGPT -in handling #AfricanLanguages, which have been increasingly excluded from digital world because of a lack of data needed for current #AItechnologies https://t.co/3SSds3sUOt~ https://t.co/BWueVSMuyC
— Languages-World Univ (@sgkmacleod) May 10, 2023
World’s Top AI Researchers Debate the Technology’s Next Steps https://t.co/nQ4ovGHpNs
— John Palfrey (@jpalfrey) May 8, 2023
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WSJ 5/8/23 - World’s Top AI Researchers Debate the Technology’s Next Steps - Wall Street Journal - Monday, May 8, 2023
https://www.wsj.com/articles/
Monday, May 8, 2023
https://twitter.com/jpalfrey/
Found it on paper on Wednesday, May 10, 2023 in the Northland Public Library in section B page 4
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Greetings from MIT OCW-centric wiki World University and School - in western Pennsylvania, but seeking to move back to the SF Bay Area on September 1, 2023 to continue to grow WUaS - planned in ~200 countries and in their main languages for online free degrees - Bachelor, PhD. Law, MD, IB high school or similar, AA, and Master's degrees (and on a Google-WUaS platform too) - e.g. in Farsi and for Iranians:
Law Schools at World University and School (planned in main languages in them)
Afghanistan Law School at WUaS: https://wiki.
Brazil Law School at WUaS: https://wiki.
China Law School at WUaS: https://wiki.
Egypt Law School at WUaS: https://wiki.
India Law School at WUaS: https://wiki.
Jamaica Law School at WUaS: https://wiki.
Mexico Law School at WUaS: https://wiki.
World University Law School: https://wiki.
Again, thank you for your excellent "Women, Art, Freedom: Women Artists & Street Politics in Iran" Stanford presentation, and the focus on protest. Not easy to bring these questions up, but if you learned that Iranian artist women - perhaps your contacts and informants - were being harassed or even raped, or possibly even turned into slaves in a sense, for example, how would you seek to protect them? In the picture of Mehraneh Atashi, and not the flower picture by her, what if she was being stalked and had even been raped by that person behind her in the first picture ... and this art was even being used for political purposes to impose rape or slavery on women artists by some Iranian networks of men? And what if she had no legal recourse to such possible crimes ... and in that "several prominent contemporary women artists who have questioned the limitations of public life for women, demanded freedom of expression, and reclaimed the streets through their creative and courageous interventions" ?
How might we best grow a MIT OCW-centric wiki Iran World Univ & Sch in Persian together?
And, living in Dartmouth, Massachusetts, in SE Massachusetts, have you ever visited nearby Cuttyhunk Island, MA (where I've grown up in the summers since around 1966)?
MIT OCW-centric wiki World Univ & Sch is calling for abolition abolishing organized crime, and the illegal sex and drug industries and their latent networks of violence, and potentially in each of all ~200 countries as major online MIT OCW-centric WUaS Universities, and to protect people, and even in WUaS Planning to code for all 7.9 billion people on the planet, each a Wikidata PIN # - https://wiki.
Will add you to MIT OCW-centric wiki World Univ & Sch's mailings if that's alright, and look forward to learning some of your thoughts about these questions. Thank you!
WUaS is much on Twitter re your -
https://twitter.com/
All the best, thank you, Friendly greetings, regards,
https://wiki.
Geospatial Creator, a tool powered by ARCore and
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Learn more → http://goo.gle/42rAur8
https://twitter.com/
Sarein Hot Springs: Sarein, a famous touristic city especially for its springs, lies in Sabalan region 25 km from Ardabil in the northwest of Iran. ...
Sahand: ...
Khoy-Maku: ...
Tekab-Hashtrood: ...
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Tabas-Ferdoos:
https://www.tappersia.com/
Pamela Karimi
10:00 AM PT | Thursday, May 11 | via Zoom
Following the tragic murder of Mahsa Amini, Iranian women took to the streets in large numbers to protest. Their bodies were the focus of these demonstrations, with women dancing and spinning their headscarves or anonymous activists installing protest banners or using sanitary pads to cover surveillance cameras in order to prevent state authorities from imposing conservative dress codes on women. The courageous presence of women in public spaces has been a crucial aspect of this revolution, with many instances of women's political activism on the streets taking on characteristics of art production. By entering the realm of visuality and sense-experience, traditionally assigned to art and aesthetics, activism has taken on performative dimensions. However, the "Woman, Life, Freedom" uprising is not the only manifestation of such involvement. For over three decades, Iranian women artists (and, by extension, activists as artists) have engaged in public art activism, creating moments of rupture in everyday life without necessarily declaring an overt political stance. These artists have used guerilla-style tactics such as painting graffiti, playful drifting, and occupying empty urban spaces to assert their right to the city and challenge strict urban regulations. Such inventive practices in busy urban areas are more challenging for women artists than their male counterparts. This presentation highlights the work of several prominent contemporary women artists who have questioned the limitations of public life for women, demanded freedom of expression, and reclaimed the streets through their creative and courageous interventions.
Pamela Karimi received her PhD from the Massachusetts Institute of Technology in 2009 and is currently a professor at University of Massachusetts Dartmouth. Karimi is the author of Domesticity and Consumer Culture in Iran (Routledge, 2013) and Alternative Iran: Contemporary Art & Critical Spatial Practice (Stanford, 2022). She is the co-editor of The Destruction of Cultural Heritage in the Middle East: From Napoleon to ISIS, a collection of important essays published at the height of ISIS attacks on cultural heritage. Karimi has held fellowships from many organizations, including the College Art Association, the Graham Foundation for Advanced Studies in the Fine Arts and Iran Heritage Foundation at SOAS. More recently Karimi was the co-recipient of a major grant from the Connecting Art Histories Initiative at the Getty Foundation. Co-founder of Aggregate Architectural History Collaborative, Karimi currently serves on the boards of Thresholds Journal (MIT Press) and the Association of Modern and Contemporary Art of the Arab World, Iran, and Turkey.
Hi Scott GK MacLeod, This is a reminder that your webinar will begin in 1 hour:
Women, Art, Freedom: Women Artists & Street Politics in Iran Date & Time May 11, 2023 10:00 AM Pacific Time (US and Canada) Webinar ID 947 0390 9490 Passcode 978565 Description Following the tragic murder of Mahsa Amini, Iranian women took to the streets in large numbers to protest. Their bodies were the focus of these demonstrations, with women dancing and spinning their headscarves or anonymous activists installing protest banners or using sanitary pads to cover surveillance cameras in order to prevent state authorities from imposing conservative dress codes on women. The courageous presence of women in public spaces has been a crucial aspect of this revolution, with many instances of women's political activism on the streets taking on characteristics of art production. By entering the realm of visuality and sense-experience, traditionally assigned to art and aesthetics, activism has taken on performative dimensions. However, the "Woman, Life, Freedom" uprising is not the only manifestation of such involvement. For over three decades, Iranian women artists (and, by extension, activists as artists) have engaged in public art activism, creating moments of rupture in everyday life without necessarily declaring an overt political stance. These artists have used guerilla-style tactics such as painting graffiti, playful drifting, and occupying empty urban spaces to assert their right to the city and challenge strict urban regulations. Such inventive practices in busy urban areas are more challenging for women artists than their male counterparts. This presentation highlights the work of several prominent contemporary women artists who have questioned the limitations of public life for women, demanded freedom of expression, and reclaimed the streets through their creative and courageous interventions.
If you need a disability-related accommodation for this event, please contact us at iranianstudies@stanford.edu. Requests should be made by May 3, 2023.Add to: Google Calendar Outlook Calendar(.ICS) Yahoo Calendar Thank you for registering for the event. We look forward to hosting you!
Stanford Iranian StudiesYou can cancel your registration at any time. Please submit any questions to: iranianstudies@stanford.edu Thank you!
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Thank you, Professor Pamela Karimi!
https://en.wikipedia.org/wiki/Solidago_gigantea
https://commons.wikimedia.org/wiki/Solidago_gigantea
https://commons.wikimedia.org/wiki/Category:Solidago_gigantea
https://en.wikipedia.org/wiki/Goldenrod
...
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